From the series 'On Caring'
'On Caring' is a collection of poetic imagery stemming from my experiences of being a young adult carer, to both my father and my younger sister. Considering the dynamics within my family, I began to decipher my own emotional responses to being a carer, exploring associated themes of isolation and the realms of personal escape. Seeking to connect experiences often reserved to the private sphere, the work forms a stream of consciousness or quiet reflection, juxtaposing the realities of the constant nature of being a carer.
Self Portrait, from the series 'On Caring'
'On Caring' is a collection of poetic imagery stemming from my experiences of being a young adult carer, to both my father and my younger sister. Considering the dynamics within my family, I began to decipher my own emotional responses to being a carer, exploring associated themes of isolation and the realms of personal escape. Seeking to connect experiences often reserved to the private sphere, the work forms a stream of consciousness or quiet reflection, juxtaposing the realities of the constant nature of being a carer.
Finalist image in AOP Student Awards 2020, from the series 'On Caring'
'On Caring' is a collection of poetic imagery stemming from my experiences of being a young adult carer, to both my father and my younger sister. Considering the dynamics within my family, I began to decipher my own emotional responses to being a carer, exploring associated themes of isolation and the realms of personal escape. Seeking to connect experiences often reserved to the private sphere, the work forms a stream of consciousness or quiet reflection, juxtaposing the realities of the constant nature of being a carer.
From the series 'On Caring'
'On Caring' is a collection of poetic imagery stemming from my experiences of being a young adult carer, to both my father and my younger sister. Considering the dynamics within my family, I began to decipher my own emotional responses to being a carer, exploring associated themes of isolation and the realms of personal escape. Seeking to connect experiences often reserved to the private sphere, the work forms a stream of consciousness or quiet reflection, juxtaposing the realities of the constant nature of being a carer.
Millie, from the series 'On Caring'
'On Caring' is a collection of poetic imagery stemming from my experiences of being a young adult carer, to both my father and my younger sister. Considering the dynamics within my family, I began to decipher my own emotional responses to being a carer, exploring associated themes of isolation and the realms of personal escape. Seeking to connect experiences often reserved to the private sphere, the work forms a stream of consciousness or quiet reflection, juxtaposing the realities of the constant nature of being a carer.
From the series 'Ian Would Have Loved You'
Emma Booth retraces the steps of her Grandfather and his connection to the ‘Land of Enchantment’, New Mexico, USA; in her latest body of work “Ian would have loved you”.
Embodying the notion of her Grandfather’s presence, “Ian would have loved you” explores the relations of collective memory, bloodline, family history, and loss. Representing the journey of meeting her paternal relatives for the first time, Emma's photographs trace her interactions in her surrounding environments, connecting walks of life within her family through generations past, present and future.
From the series 'Ian Would Have Loved You'
Emma Booth retraces the steps of her Grandfather and his connection to the ‘Land of Enchantment’, New Mexico, USA; in her latest body of work “Ian would have loved you”.
Embodying the notion of her Grandfather’s presence, “Ian would have loved you” explores the relations of collective memory, bloodline, family history, and loss. Representing the journey of meeting her paternal relatives for the first time, Emma's photographs trace her interactions in her surrounding environments, connecting walks of life within her family through generations past, present and future.
From the series 'Ian Would Have Loved You'
Emma Booth retraces the steps of her Grandfather and his connection to the ‘Land of Enchantment’, New Mexico, USA; in her latest body of work “Ian would have loved you”.
Embodying the notion of her Grandfather’s presence, “Ian would have loved you” explores the relations of collective memory, bloodline, family history, and loss. Representing the journey of meeting her paternal relatives for the first time, Emma's photographs trace her interactions in her surrounding environments, connecting walks of life within her family through generations past, present and future.
From the series 'Ian Would Have Loved You'
Emma Booth retraces the steps of her Grandfather and his connection to the ‘Land of Enchantment’, New Mexico, USA; in her latest body of work “Ian would have loved you”.
Embodying the notion of her Grandfather’s presence, “Ian would have loved you” explores the relations of collective memory, bloodline, family history, and loss. Representing the journey of meeting her paternal relatives for the first time, Emma's photographs trace her interactions in her surrounding environments, connecting walks of life within her family through generations past, present and future.
From the series 'Ian Would Have Loved You'
Emma Booth retraces the steps of her Grandfather and his connection to the ‘Land of Enchantment’, New Mexico, USA; in her latest body of work “Ian would have loved you”.
Embodying the notion of her Grandfather’s presence, “Ian would have loved you” explores the relations of collective memory, bloodline, family history, and loss. Representing the journey of meeting her paternal relatives for the first time, Emma's photographs trace her interactions in her surrounding environments, connecting walks of life within her family through generations past, present and future.
From the series 'Ian Would Have Loved You'
Emma Booth retraces the steps of her Grandfather and his connection to the ‘Land of Enchantment’, New Mexico, USA; in her latest body of work “Ian would have loved you”.
Embodying the notion of her Grandfather’s presence, “Ian would have loved you” explores the relations of collective memory, bloodline, family history, and loss. Representing the journey of meeting her paternal relatives for the first time, Emma's photographs trace her interactions in her surrounding environments, connecting walks of life within her family through generations past, present and future.
Jenni, from the series 'In Plain Sight'
I photographed Jenni as part of my work 'In Plain Sight' - a series that presents a group of individuals who each suffer from one of more invisible disability, aiming to challenge societal perceptions surrounding mental and physical ill-health.
A decade ago, Jenni was diagnosed with Ulcerative Colitis, a chronic illness where your immune system attacks your large intestine. Spending time hearing about her experiences with chronic illness and the healthcare system has been incredibly insightful into learning about the stigmatisation and representation surrounding communities of those with invisible conditions.
Ashton, from the series 'In Plain SIght'
I photographed Ashton as part of my work 'In Plain Sight' - a series that presents a group of individuals who each suffer from one of more invisible disability, aiming to challenge societal perceptions surrounding mental and physical ill-health.
Words from Ashton:
"Chronic Fatigue is like an uphill battle, there have been days where I just can't get out of bed, but I have to force myself so it doesn't beat me".
Curation: The South West Collective's Debut Photographic Exhibition, 'Visual Storytelling'
Visual Storytelling highlighted the work of six outstanding artists who have told powerful, emotive stories through the medium of photography. These artists came together from across the United Kingdom and Europe to exhibit their work in Torquay, the heart of the English Riviera.
Produced, managed and curated by The South West Collective Ltd, with special thanks to the Artizan Gallery, Torquay.
On display February 8th - February 26th, 2020.
Ground floor, Fleetwalk Shopping Centre, Torquay Highstreet, Devon, UK.
Link to the official press release:
https://thesouthwestcollective.co.uk/visual-storytelling-exhibition-opening/
Curation: The South West Collective's Debut Photographic Exhibition, 'Visual Storytelling'
Visual Storytelling highlighted the work of six outstanding artists who have told powerful, emotive stories through the medium of photography. These artists came together from across the United Kingdom and Europe to exhibit their work in Torquay, the heart of the English Riviera.
Produced, managed and curated by The South West Collective Ltd, with special thanks to the Artizan Gallery, Torquay.
On display February 8th - February 26th, 2020.
Ground floor, Fleetwalk Shopping Centre, Torquay Highstreet, Devon, UK.
Link to the official press release:
https://thesouthwestcollective.co.uk/visual-storytelling-exhibition-opening/